Political Christmas Scenes at US Places of Worship Push Back on Immigration Enforcement

Throughout the United States, satirical holiday exhibits have appeared that comment on hardline government immigration crackdowns. These scenes reimagine the traditional Christmas story, portraying the infant Jesus and his family, Joseph and Mary, as figures caught up in the actions of immigration authorities.

A Stark Retelling in Evanston

One striking display at a congregation in Evanston, Illinois features baby Jesus placed within a manger amidst snow. However, the doll is covered by the kind of thin, foil thermal blankets frequently distributed to those in custody and has its wrists bound with plastic restraints.

Nearby, the figure of the Virgin Mary is positioned outside the church, wearing a respirator. This item has been used by activists seeking protection from tear gas. She is flanked by figures of ancient soldiers, however in this scene they are wearing body armor labeled with the letters “ICE.”

An Absent Holy Family

At another Chicago church, the usual models of the holy family are nowhere to be seen from the traditional nativity scene featuring camels and donkeys and wise men. Instead, a placard bears a simple message: “Because of ICE activity in our community the Holy Family is in seclusion.”

“The holiday season is a time where we have public art out on the lawn and we get an chance to say something,” said a church leader involved with one of the installations.

Statements Spread Nationwide

These artistic statements are extensions of the prominent part played by faith leaders in recent demonstrations against federal policies. Similar political displays have been erected in other states.

In one New England state, a parish took away the small statue of the baby Jesus from its nativity scene. In its spot was a handmade notice that read: “ICE was here.” The parish reportedly stood defiant in the face of complaints from various religious and agency officials.

Connecting Biblical Narrative and Modern Crisis

According to the creators of these scenes, presenting the age-old story of the nativity within a contemporary political context draws attention to current government priorities. They argue that the family's experience as refugees mirrors the real anxieties and realities of numerous families today, encompassing family separation and the deportation of working loved ones.

It is not the first time congregations have used nativity scenes for political protest. Previously, installations have addressed topics ranging from war to the environmental emergency.

Encountering Criticism and Weathering the Elements

The messages are not always universally welcomed. A church minister participating noted that some critics either do not fully understand the intent or “consider it very challenging to their sense of right and wrong and are lashing out at the display rather than engaging with what the true meaning is.”

In a physical way, the elements have also impacted one scene. At another location, the figure of St. Joseph was knocked over in a storm and could not be repaired. A substitute notice now occupies the space, declaring: “Joseph was lost. We keep this place to memorialize all the victims of immigration enforcement terror.”